MOVIE
I make movies with photographic images. If cinema constructs narrative through sequences of connected images, my work has sought to build the flow of time and relationships through image sequencing and the structure of the book form. My earlier work centered on love, human relationships, and the problems of memory and deletion. Through repeated experiences of photographing and deleting, my attention gradually shifted from producing images toward questioning what remains after they disappear.
Movie extends from this trajectory. The work engages with images generated through love and relationships but can no longer exist independently. Rather than treating deletion as a simple absence, Movie investigates how images may be reorganized and connected within a new structure.
Constructed through the rearrangement of thousands of digital images using code and algorithms, the work transforms individual photographs from self-contained images into frames within an expanded sequence. As images connect with one another, they partially lose their original meaning and legibility. What emerges is not the preservation of individual images, but shifting visual structures and relationships.
In Movie, images do not remain as fixed memories or isolated scenes. Rearranged across different times and emotions, they lose autonomy while simultaneously operating within a new visual order. The work therefore does not seek to restore or preserve images, but to explore how they may be redefined through sequence, structure, and relationships after disappearance.
